Ambiguity and Abstraction in Bob Dylan lyrics s

Ambiguity and Abstraction in Bob Dylan lyrics s To many people contemporary poetry is a diversion. The reason is that most of these poems are boring. They are so because they allow people to identify with them. Most of mode poetry is no longer the player, but to identify the exchange of information, information which, as easily be transported in a form of prose. These are poems of the poet's thoughts and feelings of a particular case, the situation, or he or she has experienced or is in place to live. The poet is not necessarily the player or if not through poetry, so long as he or she understands clearly the information which the poet tries to convey. This may consist of a few? Important? The lessons from this experience, or could be (as is usually the case) a statement or comment Jaded about some mundane aspect of contemporary life.The most popular song, but more. It stimulates the imagination and emotions, it allows you to unlock your own highly personal box of images, memories, connections and associations. This is most easily demonstrated by the songs of Bob Dylan. Moreover, the surface of his songs is able to do so to a greater extent than most? Est? Poetry. This is because his songs (and to a lesser extent songs in general) often vague and abstract statements, and not very specific. Contemporary poetry, on the other hand, is the exact opposite: It uses a special and specific rather than vague and abstract statements ones.Dylan is not afraid to generalize, because he knows that only the widespread recognition that the reader who is specifications. Keats understood this when he said that a poem? In the event of a surprise by a fine, and not the singularities? and? It is important to find the reader as a wording of his highest thoughts, and appear almost as a reminder? (Letter to John Taylor, February 27 1818). David Bleich, Readings and feelings of the master of the creative power of the player. He believes that writing about literature should not be deleted from the player? individual conces, fears, passions and enthusiasm, from? anyone? s most pressing reasons to understand themselves?. And in response to a literary work always helps us to discover something about ourselves, introspection and spontaneity are encouraged. Every act of response, he says, reflects the change in motivation and perception of the reader when reading, and even the idiosyncratic and autobiographical response to the text should feel welcome. In this way the reader is able to build, or to create a personal exegesis by the use of linguistic permutations with the text for the construction of a sense of unity is a predominantly autobiographical frame of reference. The ambiguity Dylan work so that the listener to do exactly this.Jeffrey first published poems in various jouals including: the piano, The White Rose, Poetry Salzburg Review, ISM, Sphinx and Home land. And his poems appeared in various websites as poetry Poethia, nthposition, the heart of the old Magazine, Blazevox, Hutt and Cybpher Anthology.He is poetry for New Hope Inteational Stride Magazine, Acumen Shearsman and magazines. From 1996 to 2000 was editor of the magazine Argotist. He now works Argotist site online: